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UH Law to Gather Public Feedback on HECO/NextEra Merger

Wikipedia Commons
Wikipedia Commons

The proposed merger between Hawaiian Electric and NextEra is generating dialogue about what Hawai‘i’s sustainable energy future should look like.

The University of Hawai‘i's William S. Richardson School of Law has put together the Energy Justice Working Group to help the community submit community feedback on energy policy in the state.  The group is holding a series of community meetings on the North Shore on September 19th, 26th and 27th.  They’ll provide a general overview of the proposed merger – then form small listening groups so residents can share and discuss their thoughts, opinions and ideas.

Shalanda Helen Baker is the director of The Energy Justice Program.  She says the meetings are not for - or against the merger – but are a way to facilitate a dialogue on renewable energy that will continue into the future.

Baker says the end goal is to create a workable document for reference by the community as well as lawmakers.

The meetings are free and open to the public. The schedule:

•       Saturday, September 19, 6:30 to 8:00 p.m.:  Haleiwa, Patagonia, North Shore Marketplace, 66-250 Kamehameha Highway, Haleiwa.

•       Saturday, September 26, 11:00 a.m. to 2:00 p.m.:  Kahuku High School, 56-490 Kamehameha Highway, Kahuku.

•       Sunday, September 27, 2:00 to 5:00 p.m.:  Sunset Beach Elementary School, 59 Kamehameha Highway, Haleiwa.

More information on the Energy Justice Working Group meeting can be found Here

Nick Yee’s passion for music developed at an early age, as he collected jazz and rock records pulled from dusty locations while growing up in both Southern California and Honolulu. In college he started DJing around Honolulu, playing Jazz and Bossa Nova sets at various lounges and clubs under the name dj mr.nick. He started to incorporate Downtempo, House and Breaks into his sets as his popularity grew, eventually getting DJ residences at different Chinatown locations. To this day, he is a fixture in the Honolulu underground club scene, where his live sets are famous for being able to link musical and cultural boundaries, starting mellow and building the audience into a frenzy while steering free of mainstream clichés.
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